Summary

1911 Encyclopædia Britannica, Volume 17… (1911)

Marie’s Ysopet is translated from an English original which she erroneously attributed to Alfred the Great, who had, she said, translated it from the Latin. The collection includes many fables that have come down from Phaedrus, some Oriental stories derived from Jewish sources, with many popular apologues that belong to the Renard cycle, and differ from those of older origin in that they are intended to amuse rather than to instruct. Marie describes the misery of the poor under the feudal régime, but she preaches resignation rather than revolt.
Source: Wikisource

1911 Encyclopædia Britannica, Volume 17… (1911)

The manuscripts in which Marie’s poems are preserved date from the late 13th or even the 14th century, but the language fixes the date of the poems in the second half of the 12th century. The Lais are dedicated to an unknown king, who is identified as Henry II. of England; and the fables, her Ysopet, were written according to the Epilogus for a Count William, generally recognized to be William Longsword, earl of Salisbury. The author of Couronnement Renart, says that Marie had dedicated her poem to the count William to whom the unknown poet addresses himself.
Source: Wikisource

1911 Encyclopædia Britannica, Volume 17… (1911)

The lover is killed by the husband, but in due time is avenged by his son. The scene of the story is partly laid in Chester, but the fable in slightly different forms occurs in the folk-lore of many countries. [5] Lanval [6] is a fairy story, and the hero vanishes eventually with his fairy princess to the island of Avallon or Avilion. Eliduc is more elaborately planned than any of these, and the action is divided between Exeter and Brittany. Here again the story of the man with two brides is not new, but the three characters of the story are so dealt with that each wins the reader’s sympathy.
Source: Wikisource

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