Summary

1911 Encyclopædia Britannica, Volume 18… (1911)

A more complicated metronome is impelled by clock-work, makes a ticking sound at each beat, and continues its action till the works run down; a still more intricate machine has also a bell which is struck at the first of any number of beats willed by the person who regulates it, and so signifies the accent as well as the time.
Source: Wikisource

1911 Encyclopædia Britannica, Volume 18… (1911)

Although “Maelzel’s metronome” has universal acceptance, the silent metronome and still more Weber’s graduated ribbon are greatly to be preferred, for the clock-work of the other is liable to be out of order, and needs a nicety of regulation which is almost impossible; for instance, when Sir George Smart had to mark the traditional times of the several pieces in the Dettingen Te Deum, he tested them by twelve metronomes, no two of which beat together.
Source: Wikisource

1911 Encyclopædia Britannica, Volume 18… (1911)

The value of the machine is exaggerated, for no living performer could execute a piece in unvaried time throughout, and no student could practise under the tyranny of its beat; and conductors of music, nay, composers themselves, will conduct the same piece slightly slower or quicker on different occasions, according to the circumstances of performance.
Source: Wikisource

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