Summary

1911 Encyclopædia Britannica, Volume 6… (1911)

Here the adagio takes the form of a romance, and in the final rondo the rhythm of a Polish dance becomes recognizable while the instrumentation throughout is meagre and wanting in colour. Chopin is out of his element, and even the beauty of his melodies and harmonies cannot wholly banish the impression of incongruity. Fortunately he himself knew the limits of his power, and with very few exceptions his works belong to that class of minor compositions of which he was an unrivalled master.
Source: Wikisource

1911 Encyclopædia Britannica, Volume 6… (1911)

But notwithstanding this strongly pronounced national type of his compositions, his music is always expressive of his individual feelings and sufferings to a degree rarely met with in the annals of the art. He is indeed the lyrical composer par excellence of the modern school, and the intensity of his expression finds its equal in literature only in the songs of Heinrich Heine, to whom Chopin has been justly compared. A sensation of such high-strung passion cannot be prolonged.
Source: Wikisource

1911 Encyclopædia Britannica, Volume 6… (1911)

CHOPIN, FREDERIC FRANÇOIS (1810–1849) , Polish musical composer and pianist, was born at Zelazowa-Wola, near Warsaw, on the 22nd of February 1810 (not the 1st of March 1809) . His father, of French origin, born at Nancy in 1770, had married a Polish lady, Justine Krzyzanowska. Frederic was their third child. His first musical education he received from Adalbert Ziwny, a Czech musician, who is said to have been a passionate admirer of J. S. Bach.
Source: Wikisource

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