Frédéric Chopin

“ But notwithstanding this strongly pronounced national type of his compositions, his music is always expressive of his individual feelings and sufferings to a degree rarely met with in the annals of the art. He is indeed the lyrical composer par excellence of the modern school, and the intensity of his expression finds its equal in literature only in the songs of Heinrich Heine, to whom Chopin has been justly compared. A sensation of such high-strung passion cannot be prolonged. ”

“ As a romance composer Chopin struck out his own path, and has no rival. Full of originality, his works display the utmost dignity and refinement. He revolted from the bizarre and eccentric, though the peculiar influences which governed his development might well have betrayed one less finely organized.
As a musical poet, embodying the feelings and tendencies of a people, Chopin advances his chief claim to his place in art. He did not task himself to be a national musician ”

“ Yes, one must admit that Chopin has genius in the full sense of the word; he is not only a virtuoso, he is also a poet; he can embody for us the poesy which lives within his soul, he is a tone-poet, and nothing can be compared to the pleasure which he gives us when he sits at the piano and improvises. He is then neither a Pole, nor a Frenchman, nor a German, he reveals then a higher origin, one perceives then that he comes from the land of Mozart, Raphael, and Goethe, his true fatherland is the dream-realm of poesy. ”

“ A past, present, and future which never existed and never will exist, a Poland and a Polish people glorified. Reality passed through the refining fires of his love and genius and reappeared in his music sublimated as beauty and poetry. No other poet has like Chopin embodied in art the romance of the land and people of Poland. And, also, no other poet has like him embodied in art the romance of his own existence. But whereas as a national poet he was a flattering idealist, he was as a personal poet an uncompromising realist. ”

“ But in his art, as an executant and a composer, he revealed all his strength and weakness, all his excellences and insufficiencies, all his aspirations and failures, all his successes and disappointments, all his dreams and realities.
Chopin [wrote Anton Schindler in 1841 [FOOTNOTE: Beethoven in Paris, p. 71] is the prince of all pianists, poesy itself at the piano...His playing does not impress by powerfulness of touch, by fiery brilliancy, for Chopin's physical condition forbids him every bodily exertion, and spirit and body are constantly at variance and in reciprocal excitement. ”

“ His range as a composer was much wider, as its limits were those of his spirit. Still, Chopin does not number among those masterminds who gather up and grasp with a strong hand all the acquisitions of the past and present, and mould them into a new and glorious synthesis-the highest achievement possible in art, and not to be accomplished without a liberal share of originality in addition to the comprehensive power. Chopin, then, is not a compeer of Bach, Handel, Mozart, and Beethoven. But if he does not stand on their level, he stands on a level not far below them. ”

“ After Majorca came more composition and lessons in Paris, with summer visits to George Sand at her country home, and occasional trips to England. Then, in 1849, severe sickness and death.
All that was really important in Chopin’s life happened within himself. No other great composer of the time is so utterly self-contained. Though he lived in an age of frenzied ‘schools’ and propaganda, he calmly worked as pleased him best, choosing what suited his personality and letting the rest go. His music is, perhaps, more consistently personal than that of any other composer of the century. ”

“ But there can be no question that the whole bent of Chopin's temperament and genius was melancholy, romantic, and poetic, and that frequently he gives us mere musical moods and reveries, instead of well-defined and well-developed ideas. His music perhaps loses nothing, for, if it misses something of the clear, inspiring, vigorous quality of other great composers, it has a subtile, dreamy, suggestive beauty all its own. ”

“ Acuteness of discernment is required to understand, delicacy to describe them. In seizing such refined impressions with the keenest discrimination, in embodying them with infinite art, Chopin has proved himself an artist of the highest order. It is only after long and patient study, after having pursued his sublimated ideas through their multiform ramifications, that we learn to admire sufficiently, to comprehend aright, the genius with which he has rendered his subtle thoughts visible and palpable, without once blunting their edge, or ever congealing their fiery flow. ”

“ Emotionally Chopin ranks perhaps as the greatest of composers. In subjective expression and the evocation of mood, apart from specific suggestion by words or ‘program,’ he is supreme. He is by no means merely the dreamy poet which we sometimes carelessly suppose. Nothing can surpass the force and vigor of his Polonaises, or the liveliness of his Mazurkas. In harmony his invention was as inexhaustible as in melody, and later music has borrowed many a progression from him. ”

“ No, Chopin may not be a giant like Bach, or Mozart, or Handel, or Beethoven, but he is a sincere and earnest artist, who feels vividly, and spares no pains to give his feelings worthy [Pg 252] expression, and to attain a supreme plastic beauty. Above all, he is a man of the most delicate sensibility, the most discriminating taste, the most exacting ideal of artistic perfection. In leaving him, it is pleasant to attend less to the sufferings to which these qualities condemned him as a man, than to the achievements to which they led him as an artist. ”

“ Visited as we now are by the highest musical talent, by this great player and the other eminent composer, it must be difficult for each successive candidate for our patronage and applause to produce in sufficient quantity that essential element to success—novelty; but M. Chopin has proved satisfactorily that it is not easy to estimate the capabilities of the instrument he handles with so much grace and ingenuity, or limit the skill and power whose magic touch makes it pour forth its sublime strains to electrify and delight anew the astonished listener. ”

“ What an interesting, but at the same time what a gigantic, subject to write on the history of the unrealised plans of men of genius would be! The above-mentioned waltz, polonaise, and mazurkas do not, of course, represent the whole of Chopin's output as a composer during the time of his stay in Vienna; but we may surmise with some degree of certainty that few works of importance have to be added to it. Indeed, the multiplicity of his social connections and engagements left him little time for himself, and the condition of his fatherland kept him in a constant state of restlessness. ”

“ Indeed, nothing is more common than to overlook his connection with the main current of musical history altogether, to regard him as a mere hors d'oeuvre in the musical MENU of the universe. My opinion, on the contrary, is that among the notable composers who have lived since the days of Chopin there is not to be found one who has not profited more or less, consciously or unconsciously, directly or indirectly, by this truly creative genius. ”

“ In Monday's concert Chopin had chosen in preference those of his works which swerve more from the classical forms. He played neither concerto, nor sonata, nor fantasia, nor variations, but preludes, studies, nocturnes, and mazurkas. Addressing himself to a society rather than to a public, he could show himself with impunity as he is, an elegiac poet, profound, chaste, and dreamy. ”

“ In a word, the paradox of Chopin is that his fastidious taste—the radical, fundamental trait of his nature—plunges him, as a human being, into a jungle of distresses, but guides him, as a musician, to a mountain-top of commanding superiority.
The unfailing interest of the analysis of his music lies in the recognition, at every turn, of this fineness of nature, this mental and spiritual high-breeding, this exquisitely sensitive taste, and in the detection of the various kinds of excellence it produces. One easily traces it through several planes of achievement, in an ascending series. ”

“ He is a babbler who would have destroyed this harmony of NONCHALANCE which I am enjoying thoroughly; at intervals a little painting, billiards, and walking, that is more than is necessary to fill up the days. There is not even the distraction of neighbours and friends from the environs; in this part of the country everyone remains at home and occupies him self with his oxen and his land. One would become a fossil here in a very short time.
I have interminable private interviews with Chopin, whom I love much, and who is a man of a rare distinction; he is the most true artist I have met. ”

“ A friend once said to the Polish musician, "Chopin, how is it that you have never composed an opera?"
"Ah, my friend, let me compose nothing but music for the piano. It takes a much wiser man than I to compose operas."
Chopin had brought many compositions with him when he came to Paris. After the year 1832 he composed very rapidly. Among the music written at that time were marches, rondos, and mazurkas. These were the things he loved to write, but the music composed in Paris was far better than that written in Warsaw. One of Chopin's most noted works is his Funeral March. ”

“ In art as in life, in biography as in history, there are not many questions that can be answered by a plain "yea" or "nay. It was, indeed, with Chopin as has been said of him, "his heart was sad, his mind was gay. "One day when Chopin, Liszt, and the Comtesse d'Agoult spent the after-dinner hours together, the lady, deeply moved by the Polish composer's playing, ventured to ask him "by what name he called the extraordinary feeling which he enclosed in his compositions, like unknown ashes in superb urns of most exquisitely-chiselled alabaster? ”

“ The exquisite ease and grace, the subtle spirit that breathes through this movement, defy description, and, more, defy the attempts of most performers to reproduce the original. He who ventures to interpret Chopin ought to have a soul strung with chords which the gentlest breath of feeling sets in vibration, and a body of such a delicate and supple organisation as to echo with equal readiness the music of the soul. ”

“ Frederick Francis Chopin was born near Warsaw, in 1810, of French extraction. He learned music at the age of nine from Ziwny, a pupil of Sebastian Bach, but does not seem to have impressed any one with his remarkable talent except Madame Catalani, the great singer, who gave him a watch. Through the kindness of Prince Radziwill, an enthusiastic patron of art, he was sent to Warsaw College, where his genius began to unfold itself. He afterward became a pupil of the Warsaw Conservatory, and acquired there a splendid mastery over the science of music. ”

“ Chopin was too timid and gentle to be a bold aggressor, like Berlioz, Liszt, and Schumann, but his whole nature responded to the movement, and his charming and most original compositions, which glow with the fire of a genius perhaps narrow in its limits, have never been surpassed for their individuality and poetic beauty. ”

“ He is, perhaps, par eminence, the most delightful of pianists in the drawing- room. The animation of his style is so subdued, its tenderness so refined, its melancholy so gentle, its niceties so studied and systematic, the tout-ensemble so perfect, and evidently the result of an accurate judgment and most finished taste, that when exhibited in the large concert- room, or the thronged saloon, it fails to impress itself on the mass. The "Neue Zeitschrift fur Musik" of September 8, 1837, brought the piece of news that Chopin was then at a Bohemian watering-place. ”

“ Nay, the most widely-prevailing idea of his character as a man and musician seems to have been derived from them. But the idea thus formed is an erroneous one; these dulcet, effeminate compositions illustrate only one side of the master's character, and by no means the best or most interesting. Notwithstanding such precious pearls as the two Nocturnes, Op. 37, and a few others, Chopin shows himself greater both as a man and a musician in every other class of pieces he has originated and cultivated, more especially in his polonaises, ballades, and studies. ”

“ Chopin's moral nature was not cast in an heroic mold, and he lacked the robust intellectual marrow which is essential to the highest forms of genius in art as well as in literature and affairs, though it is not safe to believe that he was, as painted by George Sand and Liszt, a feeble youth, continually living at death's door in an atmosphere of moonshine and sentimentality. ”

“ He is very spare in frame, and there is an almost painful air of feebleness in his appearance and gait. This vanishes when he seats himself at the instrument, in which he seems for the time perfectly absorbed. Chopin's music and style of performance partake of the same leading characteristics— refinement rather than vigour—subtle elaboration rather than simple comprehensiveness in composition—an elegant rapid touch, rather than a firm, nervous grasp of the instrument. ”

“ It would be wholly mistaken to think of Chopin as a composer of only sad or turbulent music. A whole list of masterpieces could be chosen from those of his compositions which are gay without arrière-pensée, which are witty and vivacious, and clear as happy laughter. It is perhaps this very spirit which saves his music always from heaviness, which makes it in the last analysis more healthy and more sane than much of that of Schumann or Brahms. Never are his moods heavy, stagnant, or inert. Intense as they may be they are swift-changing and vivid. ”