Waltz

Definition and stakes

Portrait of Gustav Kobbé Gustav Kobbé,  The Pianolist: A Guide for Pianola Players

“ The introduction with all these interesting preliminaries over, the waltz itself opens with a melody full of sentiment and almost personal in its persistent suggestion of wooing. At the same time it has a graceful swing that carries it along like an undercurrent, with rising and falling inflections, and, like the Nevin waltz, with much dainty ornamentation, as if the couple were conversing in low tones while dancing. Then there is a brilliant episode when individuals seem lost sight of in the general vividness [65] of the scene with its gaily colored costumes and flash of jewels. ”
Source: Gutenberg

Portrait of H. L. Mencken H. L. Mencken,  Prejudices, Second Series

“ The waltz, in fact, is magnificently improper—the art of tone turned bawdy. I venture to say that the compositions of one man alone, Johann Strauss II, have lured more fair young creatures to lamentable complaisance than all the hyperdermic syringes of all the white slave scouts since the fall of the Western Empire. There is something about a waltz that is simply irresistible. ”
Source: Gutenberg

Portrait of George Gordon Byron George Gordon Byron,  The Works of Lord Byron (1903)

“ There was nothing so fashionable."
"No event," says Thomas Raikes (Personal Reminiscences, p. 284) , ever produced so great a sensation in English society as the introduction of the German waltz.... Old and young returned to school, and the mornings were now absorbed at home in practising the figures of a French quadrille or whirling a chair round the room to learn the step and measure of the German waltz. The anti-waltzing party took the alarm, cried it down; mothers forbad it, and every ballroom became a scene of feud and contention. The foreigners were not idle in forming their élèves
”
Source: Wikisource

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