Gustav Kobbé,
The Pianolist: A Guide for Pianola Players
“ The introduction with all these interesting preliminaries over, the waltz itself opens with a melody full of sentiment and almost personal in its persistent suggestion of wooing. At the same time it has a graceful swing that carries it along like an undercurrent, with rising and falling inflections, and, like the Nevin waltz, with much dainty ornamentation, as if the couple were conversing in low tones while dancing. Then there is a brilliant episode when individuals seem lost sight of in the general vividness [65] of the scene with its gaily colored costumes and flash of jewels. ”
