“ Like many other Spanish dramatists of his time, Diamante is deficient in originality, and his style is riddled with affectations; La Desgraciada Raquel, which was long considered to be his best play, is really Mira de Amescua’s Judía de Toledo under another title; and the earliest of Diamante’s surviving pieces, El Honrador de su padre (1658) , is little more than a free translation of Corneille’s Cid. Diamante is historically interesting as the introducer of French dramatic methods into Spain. ”