Summary

Portrait of A. E. W. Mason A. E. W. Mason The Broken Road — XX: The Soldier and the Jew (1907)

For twelve rounds the combatants seemed still to be upon equal terms, though those in the audience who had knowledge began to shake their heads over the chances of the soldier. Shere Ali, however, was still racked by suspense. The fight had become a symbol, almost a message to him, even as his gift to the Mullah had become a message to the people of Chiltistan. All that he had once loved, and now furiously raged against, was represented by the soldier, the confident, big, heavily built soldier, while, on the other hand, by the victory of the Jew all the subject peoples would be vindicated.
Source: Wikisource

Portrait of A. E. W. Mason A. E. W. Mason The Broken Road — XX: The Soldier and the Jew (1907)

A Hindu boy was matched against a white one, a couple of wrestlers came next, and then two English sailors, with more spirit than skill, had a set-to which warmed the audience into enthusiasm and ended amid shouts, whistles, shrill cat-calls, and thunders of applause. Meanwhile the heat grew more and more intense, the faces shinier, the air more and more smoke-laden and heavy.
Shere Ali came on to the stage while the sailors were at work. He exchanged a nod with "Colonel Joe," and took his seat in the front row of chairs behind the ropes.
Source: Wikisource

Portrait of A. E. W. Mason A. E. W. Mason The Broken Road — XX: The Soldier and the Jew (1907)

Why should one respect those who take and do not give?"
As he asked himself the question, there came a roar from the audience. He looked up. The soldier was standing, but he was stooping and the fingers of one hand touched the boards. Over against the soldier the man from Singapore stood waiting with steady eyes, and behind the ropes Colonel Joe was counting in a loud voice:
"One, two, three, four."
Shere Ali's eyes lit up. Would the soldier rise? Would he take the tips of those fingers from the floor, stand up again and face his man?
Source: Wikisource

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