Achmed Abdullah

Achmed Abdullah

Summary

Portrait of Achmed Abdullah Achmed Abdullah,  The Remittance-Woman — Chapter 6 (1924)

“ Up to a height of seven feet the walls were covered with stucco, white on white, ivory and snowy enamel skilfully blended with shiny white lac, and overlaid with a silver-threaded spider’s web of arabesques, as exquisite as the finest Mechlin lace, and of Sanskrit quotations in the Devanagari script, showing that the temple had been built many, many centuries earlier, in the golden days when Hindu priests first brought the peaceful words of the Lord Gautama Buddha from across the Himalayas and before the Mongols twisted the gentle message according to their tortuous, mazed mentality. ”
Source: Wikisource

Portrait of Achmed Abdullah Achmed Abdullah,  The Remittance-Woman — Chapter 6 (1924)

“ Higginson walked steadily on, with the girl following. So far they had not met a single human being, but, as they neared the top of the hill where the pagoda-prison opened to the road with a huge gate, they were halted by the snick of a breech-bolt and a raucous voice—evidently a challenge—in Chinese. But Marie let out a whoop of joy when the sentinel stepped forth from behind a tree, rifle in hand, for, in spite of his Chinese uniform, there was no doubt that he was a European. ”
Source: Wikisource

Portrait of Achmed Abdullah Achmed Abdullah,  The Remittance-Woman — Chapter 6 (1924)

“ You do not look as we do. You do not dream and aim as we do. As barbarians you came; as barbarians you remained—whatever you call yourselves, Manchus, Tartars, Turks or what-not! Once, perhaps, you were Asiatics—but you mixed your blood during the many centuries you lived in Russia, in Germany, in the West—and as foreigners you came among us. Thus”—the man seemed swept on by a tremendous, bitter sincerity of purpose—“you always stood by the other foreigners when they invaded China, and robbed and killed and enslaved——”
“No!” Marie interrupted him. “You are wrong.
”
Source: Wikisource

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