Achmed Abdullah,
The Broadway of It
(1920)
“ Twenty years—and he fought on, though he knew that the ultimate end was an assured thing, though he felt it at the back of his soul, blowing in from the Broadway jungle like the seven black winds of destiny. Thirty years—and the Hotel Marquis, once the last word in elegance and modernity, had become a third-rate stopping-place for transients. But still Jabez Massingham stayed on; watching Broadway like a bird fascinated by a snake; feeling it crawl and creep and breathe; feeling it move, as if a single desire, a single hateful purpose, actuated the entire mass of stone and steel. ”

