Achmed Abdullah

Achmed Abdullah

The Guerdon (1917)

Summary

Portrait of Achmed Abdullah Achmed Abdullah,  The Guerdon (1917)

“ Even Jane, with her academic, vicarious knowledge of France and the French, recognized in him a good Parisian bourgeois, fond of his home, his wine, and his carpet slippers. He was a typical Frenchman of the sound middle classes—the sort of Frenchman who prefer vermuth-cassis to absinthe, a clay pipe to a cigarette, the Petit Parisien to the Figaro, Maisons-Laffitte to Enghien, a Theatre Royal farce to Racine at the Gymnase, and a plateful of rabbit stewed with mushrooms and red wine to the airiest vol-au-vent of the Café Riche. ”
Source: Wikisource

Portrait of Achmed Abdullah Achmed Abdullah,  The Guerdon (1917)

“ Here was a conjecture which Jane Champlin was loath to give up. She clung to it in spite of the straight, logical enthymemes of her prosy, academic mind, in spite even of the testimony of her eyes which showed to her Toussaint Piédevache as he was; bullet-headed, heavy-jowled, riotously alive—not at all a fitting male foil for Algiers’ native women. ”
Source: Wikisource

Portrait of Achmed Abdullah Achmed Abdullah,  The Guerdon (1917)

“ Came a sudden, unexpected arcaded square, and, on all sides, fruit and vegetable stalls with their wares heaped up in profuse abundance—with Arabs in plaited turbans and brown, striped burnousses gravely bending over the colored heaps and haggling as gravely; young girls, with enormous bundles of grapes on their veiled heads, gliding through the crowd; old women, unveiled because in the Orient age is supposed to scotch temptation, standing about in twos and threes, chaffering and laughing ”
Source: Wikisource

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