Summary

Portrait of Achmed Abdullah Achmed Abdullah The Swinging Caravan — Bred in the Clay (1925)

Here was a man after his own heart, who could wield the whip of sharp words and flavor the sauce of speech with the spice of abuse. "Enter, Bedawin!" He opened the gate with the point of his dagger pressing the lock. "Enter, hound of the wilderness! May you find the gold and the freedom of your seeking!"
Thus then he had come to Fez, Hassan, son of Mustaffa, travel-stained, uncouth, looped in folds of earth-gray wool; and today his hands were white and scented, his voluminous turban of green muslin threaded with silver, his burnoose of silk in delicate stripes of pistache and heliotrope.
Source: Wikisource

Portrait of Achmed Abdullah Achmed Abdullah The Swinging Caravan — Bred in the Clay (1925)

As he looked, something hidden seemed to grow within Hassan to a height of abnormal perceptiveness. The sense of a past life, a life which he was dimly remembering again, became magnified with every minute that passed. It lay beyond those ridges, beyond Jeddah and Mecca, in the clay of the Jemla oasis—home—and, at the thought, there rose to his soul a flavor of that utter, sharp freedom which was to him the breath, the reason, the secret heart of the desert as he remembered it.
Source: Wikisource

Portrait of Achmed Abdullah Achmed Abdullah The Swinging Caravan — Bred in the Clay (1925)

Fainter and fainter grew the memory of the clay; and when the two pictures that were always with him—of his mother's wrinkled face and of Fathma, daughter of Daood—moved subconsciously across the focus of his remembrance, while formerly he had tried to brush them aside as something of which he was half ashamed, these days he welcomed the memories, played with them, kept them alive and green. For they made him relish the more keenly the change that had come over his estate. They made his happiness the greater, his wife the more lovely, his gold the more precious.
Source: Wikisource

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