Summary

Portrait of Achmed Abdullah Achmed Abdullah The Swinging Caravan — A Gesture of no Importance (1925)

Dance? This was not a dance. This was life itself, passion, creation! Faster and faster whirled the Gypsy, her yellow eyes as she swirled past piercing momentarily into Ellen's with a strange, mocking meaning, almost a challenge.
Then suddenly fear came to Ellen. She wanted to run away. But the very next second, looking up instinctively as if drawn by a magnetic force, she saw again the dervish staring at her above his veil. He stared without turning away and there was in his eyes a calm assurance and, too, a question.
Source: Wikisource

Portrait of Achmed Abdullah Achmed Abdullah The Swinging Caravan — A Gesture of no Importance (1925)

Race? Religion? Prejudices? Customs? They did not exist. They were not. Never could be.
The morning wind rose with a scent of musk and sandalwood, and she fancied that there was on its wings a little voice that sifted down to her heart; a haunting, small voice that dived straight to the core of her life. She gripped the Arab's hand more tightly. She looked up at him. He had discarded his face veil. She saw his features, the thick black hair curling over an ivory-white forehead, the curve of the short nose with the flaring, nervous nostrils the intensely red lips.
Source: Wikisource

Portrait of Achmed Abdullah Achmed Abdullah The Swinging Caravan — A Gesture of no Importance (1925)

She swallowed the rest of the shameless Arab proverb in a gurgle of laughter and waddled away, leaving Ellen to her own devices, nervous, rather ill at ease.
Life's worth while aspects, the Spaniard had told her; and, looking about, she knew instinctively what the mehchacha was: if not exactly a house of assignation, then—the trite newspaper term came to her—a dive, and if there were flowers here and drugs and stringed instruments instead of whisky and the raucous belchings of a phonograph, the difference was one of geography rather than of ethics.
Source: Wikisource

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