Summary

Portrait of Achmed Abdullah Achmed Abdullah The Swinging Caravan — The Great Wife (1925)

In those days Hamed Ali surrounded his second wife with extra care. He brought her presents. He spoke to her softly. And in Nour-el-Ein's brain a seething, black passion of the flesh blended with a passion, as seething, as black, of the imagining mind. Had Hamed Ali lost all love for her? Was he going to pronounce the easy words of Moslim divorce and put her out of his life? Had Yasmine possessed all his thoughts—not only the thoughts of his body, but also those of his soul?
Source: Wikisource

Portrait of Achmed Abdullah Achmed Abdullah The Swinging Caravan — The Great Wife (1925)

A servant left on a run, returned fifteen minutes later with two doctors, a Frenchman and an Arab. There was the smell of drugs and incense.
Nour-el-Ein stood on the balcony, listening. She heard the quivering voice of Yasmine, the murmuring voices of the doctors, the shrill voices of the wise-women, the soft voice of Hamed Ali. She heard the latter very distinctly, and every word was a twisting dagger in her heart.
"Yes, little Yasmine! Yes, heart of a thousand roses! No harm will come to you. Your hand—your small, small hand ... let me kiss the pain away and the fear..."
Source: Wikisource

Portrait of Achmed Abdullah Achmed Abdullah The Swinging Caravan — The Great Wife (1925)

Look at yourself—childless—mated to a dry broomstick—and you call yourself an Arab—wah!"
"But..." Hamed Ali waved an ineffectual hand, well aware of what was coming.
And it came, in the priest's suave accents:
"It is improper not to have children, sayeth the Koran. Where are your sons, O Moslim?"
"You must take another wife unto yourself," said the horse-trader, stroking his yellow beard. "You are a respectable man. It is your duty."
"It is your duty," chimed in Mejwel el-Fejiri, when Hamed Ali, who loved Nour-el-Ein with a slow, passive love, tried to rebel against the dictum of his friends.
Source: Wikisource

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