Koran

Definition and stakes

Portrait of Reynold Alleyne Nicholson Reynold Alleyne Nicholson,  The Mystics of Islam (1914)

“ Let us return for a moment to the Koran, that infallible touchstone by which every Mohammedan theory and practice must be proved. Are any germs of mysticism to be found there? The Koran, as I have said, starts with the notion of Allah, the One, Eternal, and Almighty God, far above human feelings and aspirations—the Lord of His slaves, not the Father of His children; a judge meting out stern justice to sinners, and extending His mercy only to those who avert His wrath by repentance, humility, and unceasing works of devotion; a God of fear rather than of love. ”
Source: Gutenberg

Portrait of Stephen Graham Stephen Graham,  Through Russian Central Asia (1916)

“ Probably the Koran is translated in a wrong spirit or to suit a British taste. But obviously it is meant to be chanted, and it is full of rhythms with which we are unfamiliar, as unfamiliar as we are with the sobbing, plaintive, screaming music that is melody in the Moslem’s ears. The soul of the Koran is not like the soul of the Bible, just as the soul of a mediæval Christian city such as Florence or Rome is unlike Khiva or Bokhara or Samarkand, just as the souls of our eager mystical populations are different from the souls of those simple, satisfied and fatalistic people. ”
Source: Gutenberg

Thomas Carlyle,  Sartor Resartus, and On Heroes…

“ Sincerity, in all senses, seems to me the merit of the Koran; what had rendered it precious to the wild Arab men. It is, after all, the first and last merit in a book; gives rise to merits of all kinds,—nay, at bottom, it alone can give rise to merit of any kind. Curiously, through these incondite masses of tradition, vituperation, complaint, ejaculation in the Koran, a vein of true direct insight, of what we might almost call poetry, is found straggling. The body of the Book is made-up of mere tradition, and as it were vehement enthusiastic extempore preaching. ”
Source: Gutenberg

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