Achmed Abdullah

Achmed Abdullah

Summary

Portrait of Achmed Abdullah Achmed Abdullah The Swinging Caravan — Romance (1925)

Carruthers, hein?" she continued in French.
"You—you know who I am?" stammered Louise in a headlong whisper, and as soon as the words were spoken she realized their ludicrous futility, hated herself for it, hated the woman for the malicious smile that curled her full, red lips.
"I do. How? Hayah! There is never gossip in street or bazaar that does not brush through the harem curtains." And, with a great deal of dignity: "I am Bibi Hanoom, the wife of Prince Mohammed Bek Tcherkessky."
Source: Wikisource

Portrait of Achmed Abdullah Achmed Abdullah The Swinging Caravan — Romance (1925)

Indeed, Prince Tcherkessky represented romance with a torrid directness that was a challenge in the teeth of modern, prosy civilization and that appeared extravagant and unreal among the cloudy compromises of the Occident.
Not that his actions nor, as far as Paris could tell, his reactions were in keeping with his outer man. On the contrary. He seemed ultra-modern, a typical westernized Asiatic who aped every last trick of Eu rope's craving for hackneyed efficiency and shifting fads and flummeries.
Source: Wikisource

Portrait of Achmed Abdullah Achmed Abdullah The Swinging Caravan — Romance (1925)

You see, here I have been clamoring for the romance of the exotic, the far. I blamed you because you did not measure up to the standards of my imagination. And—the forest and the trees—perhaps it is your—how shall I put it?—Europeanization which makes you, the Asiatic, so romantic. Perhaps it is your frankness which makes you, the subtle Oriental, so thrillingly picturesque. Perhaps it is the blending of turban and monocle, of eastern soul and western viewpoint, which makes you so fascinating.
Source: Wikisource

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