Achmed Abdullah

Achmed Abdullah

Summary

Portrait of Achmed Abdullah Achmed Abdullah The Swinging Caravan — Decadence (1925)

The sudden high laugh of a Scotch spinster, drifting from the hotel patio below, struck his eardrums with an almost physical shock. Came a burst of speech—the hectic, bilious, futile talk of Europeans in the tropics, in French, English, Italian; the usual boastings and international lies; the tail-end of a Parisian gutter joke. Maturin could imagine the stout French colonel rolling the words over his tongue, savoring their nastiness; could imagine the old Scotch spinster's musty virginity bristling half with desire, half with disgust.
Source: Wikisource

Portrait of Achmed Abdullah Achmed Abdullah The Swinging Caravan — Decadence (1925)

From far away came the tinkle of silver anklets—cling-clong—as she passed around the corner of the mosque into the open street, her burnoose shimmering in the pitiless sun rays with a sort of sinister iridescence. He half turned, about to follow her. Yussef smiled. He winked fraternally at the Maltese Jew.
Maturin reconsidered. He still felt an immense, inarticulate excitement surging through him, but he decided that it was the climate, the massive, jagged heat.
Source: Wikisource

Portrait of Achmed Abdullah Achmed Abdullah The Swinging Caravan — Decadence (1925)

He was conscious of a profound yearning—a yearning more of the spirit than of the flesh—too fugitive to be seized, too vague to be definitely labeled.
He looked at the palace door. It was of ivory, inlaid with jade and dull-gleaming chrysoprase, but splintered, dirty. He wondered what was behind it.
"Everything possible to be believed is an image of truth—" Blake's words came back to him. An image of truth! And what truth could there be behind this veil of eastern womanhood that hid the soul, the life, even after the veil had slipped?
Source: Wikisource

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