Ethel Watts Mumford,
The Masque of Tragedy
(1924)
“ Sure enough, she's in the garden—I don't mean the courtyard where you were painting, but the garden that makes the corner of Esplanade, and is shut off from it by a good seven foot high brick wall, with a little green door on the side street. There she waits, palpitating. In comes the masked lover, and well—one can imagine it. Moonlight, distant music, tin horns, confetti, Carnival. He puts into her hands a pearl necklace—an astounding thing, the sort that wraps three or four times around the throat and then hangs to the waist. They are big, evenly matched pearls, a wonder string. ”
