E. Phillips Oppenheim

E. Phillips Oppenheim

Summary

Portrait of E. Phillips Oppenheim E. Phillips Oppenheim The Kiss of Judas (1922)

The criminal lawyer, who was our host, heard scraps of our conversation and leaned forward.
“You did well to leave Scotland Yard when your reputation stood high, Sir Norman,” he said. “A new era of crime has dawned, and the struggle no longer equal. It isn't the riffraff of the world today who take to murder and burglary. The skilled and conscienceless scientist has taken their place. The criminal of today, in nine cases out of ten, is of higher mental caliber than the detective who is opposed to him.”
Source: Wikisource

Portrait of E. Phillips Oppenheim E. Phillips Oppenheim The Kiss of Judas (1922)

I was on the point of doing so when Mrs. De Mendoza appeared. She was clad in a wonderful light blue wrapper, and the touch of excitement seemed to add to her beauty.
“My necklace!” she gasped. “Don't I tell me that it is gone!”
“Madam,” the manager began, “I regret to say—”
“What were you doing, then?” she cried, turning to me. “Do you mean to say that it was stolen while Annette was with you?”
“Annette was never with me,” I replied. “She left your bedroom with the jewel-case, without coming near the sitting-room.”
“Is this true, Annette?” her mistress demanded.
Source: Wikisource

Portrait of E. Phillips Oppenheim E. Phillips Oppenheim The Kiss of Judas (1922)

This is the last hotel in London where a jewel robbery would be likely. The lady herself, I understand, takes every possible care and caution. She wears her necklace nowhere except in the restaurant and lounge, and every night it is deposited in the hotel safe. I cannot see that she has the slightest cause for anxiety; nor do I understand the nervousness of the insurance company. However, you may rely upon it, Sir Norman, that every facility will be given to you in your task.
Source: Wikisource

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