New Orleans

Definition and stakes

Portrait of William Seymour Edwards William Seymour Edwards On the Mexican Highlands, with a Passing Glimpse of Cuba

HAULING COTTONNEW ORLEANS
The residence section, in the American city, contains many handsome mansions with wide lawns and a profusion of semitropical trees, and everywhere are gardens—flower gardens that are riotous masses of roses and jasmines and splendid blooms. Just as the glory of England is her flowers, where no home is too humble for a window box, so, too, is it in New Orleans. However dirty she may be, however slovenly and slipshod, you must yet love the city for her flowers. Even the laborer’s most humble cottage glows with its mass of color.
Source: Gutenberg

Paul M. Hollister Famous Colonial Houses (1921)

Their passing will deepen the twilight of an antiquity which New Orleans has cherished with more sympathy than all the rest of our American cities. Rigid modern buildings with Louis XVI fronts and O’Shaughnessy backs will rear their ventilators, tanks and pent-houses where, once upon a time, warm walls and climbing cupolas, odd contours and vine-like wrought-iron railings melted into a strangely complex and beautiful composition.
Source: Gutenberg

Portrait of Emerson Hough Emerson Hough The Web (1919)

As the home of easy living and good cooking, as the place of kindly climate and gentle manners, all flavored with a wholesome carelessness as to life and its problems, New Orleans was, to use a very trite expression, in a class quite by herself. She never has had a rival, and more is the pity that the old New Orleans has succumbed to the modern tendency towards utilization and change which has marked all America.
Source: Gutenberg

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