Paul M. Hollister

Summary

Paul M. Hollister Famous Colonial Houses (1921)

There are three ghosts at Doughoregan Manor. One is the shade of an ancient housekeeper, whose quiet tread may be heard in the corridors, and whose keys tinkle faintly when the house is still. Another is the spectral coach—its wheels grind on the driveway when death rides to claim a member of the household.... The third is no gruesome phantom, but the warm lively pervading spirit of the Signer himself, Charles Carroll “of Carrollton.”
Source: Gutenberg

Paul M. Hollister Famous Colonial Houses (1921)

THE JUMEL MANSION
Alone in its brittle modern neighborhood, this lovely anachronism stands on the highest point of Manhattan, untroubled, unruffled, and undisturbed except by Sunday idlers to whom its orchards are just another breathing spot. Though it was Heath’s headquarters, then housed Washington, later was captured by Howe, and was one of the smartest suburban estates of Colonial New York, it will never be forgotten as the home of a person of no military or aristocratic consequence, yet of caprice, beauty, ambition, impropriety, common sense and eccentricity—yes, a woman.
Source: Gutenberg

Paul M. Hollister Famous Colonial Houses (1921)

There are touches of vermilion and lavender in the sharp green of the shutters at the second-floor windows.
The architecture is Italo-American, and so are the urchins popping from the doors to stare at you as you wait for admittance. Their faces are soiled, and so is the black-and-white marble floor behind the heavy spiked gates. Note, above you, the coffered and embossed ceiling, appraise the graceful fan-light over the door, examine the elaborate carving of the door itself, for these are relics which indicate the grand manner in which this house once welcomed its guests.
Source: Gutenberg

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