Eliza Ripley

Biographical details

Portrait of Eliza Ripley Eliza Ripley,  From flag to flag (1888)

“ Sometimes for days we saw the sun only when it rose in ethereal fields of glory, and when it descended amid billows of gorgeous golden and crimson clouds. All day long the rain fell in torrents, and the waters poured and rushed in the furrows through the fields. The negroes huddled under the broad eaves of the sugar-house and other farm-buildings; and Lamo walked restlessly about the dwelling, noting great patches of grass here and there through the fields, that had sprung up like magic since yesterday, choking the tender young cane. ”
Source: Gutenberg

Portrait of Eliza Ripley Eliza Ripley,  Social life in old New Orleans (1912)

“ We slow up, a gentleman rushes down from his plantation house, followed by a darky, carpetbag in hand. A plank is quickly run out, touching the shore, steadied by deckhands; passenger rushes aboard, has a handshake with Capt. Ure, and away we go to perhaps another hail. In the cabin the scene is like that of an “afternoon tea,” an “at home,” a “reception,” whatever you will, for everybody knows everybody, and everybody shakes hands with everybody, and thus the newcomer is welcomed to the social atmosphere of a circle of Creole friends. ”
Source: Gutenberg

Portrait of Eliza Ripley Eliza Ripley,  From flag to flag (1888)

“ Cuba is a paradise for those who are too lazy to do anything but exist, as one can live there without labor. The tall, straight palm-tree, of which the poorer houses are built, can be split from end to end with wedge and axe, the pith easily removed, and the crescent-shaped sides, weighted down with heavy rocks upon the ground, will dry as flat as planks. The trunk, split half in two, makes excellent troughs and gutters, the feathery branches thatch their dwellings, the berries furnish food for their hogs, and the core of the pinnacle is as delicious as cauliflower. ”
Source: Gutenberg

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