Eliza Ripley

Eliza Ripley

Summary

Portrait of Eliza Ripley Eliza Ripley Social life in old New Orleans (1912)

We slow up, a gentleman rushes down from his plantation house, followed by a darky, carpetbag in hand. A plank is quickly run out, touching the shore, steadied by deckhands; passenger rushes aboard, has a handshake with Capt. Ure, and away we go to perhaps another hail. In the cabin the scene is like that of an “afternoon tea,” an “at home,” a “reception,” whatever you will, for everybody knows everybody, and everybody shakes hands with everybody, and thus the newcomer is welcomed to the social atmosphere of a circle of Creole friends.
Source: Gutenberg

Portrait of Eliza Ripley Eliza Ripley Social life in old New Orleans (1912)

I was driven at a rapid pace up the road and through the restless, crowded street throngs to the home of these motherless girls, whose New England governess had returned North. I had long been their mother’s dearest friend, and a refuge for her daughters in all their troubles and perplexities. We were completely cut off from any reliable information of the doings of the world, almost at our doors. Everybody knew New Orleans had fallen and Butler was treading the prostrate people with hoofs of iron, and also it was only a matter of time when his rule would reach our town only 130 miles off.
Source: Gutenberg

Portrait of Eliza Ripley Eliza Ripley Social life in old New Orleans (1912)

What a host of dashing, high-bred, blue-blooded Kentucky women swarmed the parlors, halls, rotunda [247] of that, the finest hotel in all the land! How they talked, in the soft, Southern accent, so peculiarly their own! How they laughed! How they moved about, seemingly knowing everybody they met. How they bet! Gloves, fans, money, too, on their horse, when they found any one in all the crowd that was not a “Lexington horse” man. Those bright women dominated everything in their enthusiasm.
Source: Gutenberg

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