Summary

Portrait of J. H. Ingraham J. H. Ingraham The South-West, by a Yankee. In Two Volumes…

There every tomb-stone is crowned with a chaplet of roses, and every grave is a variegated bed of flowers. Spain, dark and gloomy Spain! is behind all. Whoever has rambled among her gloomy cemeteries, or gazed with feelings of disgust and horror, upon the pyramids of human sculls, bleaching in those Golgothas, the Campos santos of Monte Video, Buenos Ayres, and South America generally, need not be reminded how little they venerate what once moved—the image of God! The Italians singularly unite the indifference of the Spaniards with the affection of the French in their respect for the dead.
Source: Gutenberg

Portrait of J. H. Ingraham J. H. Ingraham The South-West, by a Yankee. In Two Volumes…

Between New-Orleans and Baton Rouge, a distance of one hundred and seventeen miles, the few villages upon the river all partake, more or less, of this humble and dilapidated character. Baton Rouge is now in sight, a few miles above. As we approach it the character of the scene changes. Hills once more relieve the eye, so long wearied with gazing upon a flat yet beautiful country. These are the first hills that gladden the sight of the traveller as he ascends the river. They are to the northerner like oases in a desert.
Source: Gutenberg

Portrait of J. H. Ingraham J. H. Ingraham The South-West, by a Yankee. In Two Volumes…

The unsailor-like French sailor—the half horse and half alligator Kentucky boatman—the gentlemanly, carelessly-dressed cotton planter—the pale valetudinarian, from the north, whose deep sunken eye told of suicidal vigils over the midnight lamp—a noble looking foreigner, and a wretched beggar—a troop of Swiss emigrants, from the grand sire to the infant, and a gang of Erin's toil-worn exiles—all mingled en masse—swept along in this living current; while, gazing down upon the moving multitude from lofty balconies, were clusters of bright eyes, and sunny faces flashed from every window.
Source: Gutenberg

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