Achmed Abdullah

Achmed Abdullah

Summary

Portrait of Achmed Abdullah Achmed Abdullah,  The Evening Rice (1921)

“ Ng Ch'u was a coward. He knew it. Nor was he ashamed of it. To him a prosy, four-square, sublimely practical Chinese, reckless, unthinking courage seemed incomprehensible, and he was too honest a man to find fascination or worth in anything he could not understand.
Still it was one thing to be afraid, by which one lost no face to speak of, and another to appear afraid, by which one often lost a great deal of face and of profit, and so he collected himself with an effort and greeted the Manchu with his usual, faintly ironic ease of manner.
”
Source: Wikisource

Portrait of Achmed Abdullah Achmed Abdullah,  The Evening Rice (1921)

“ The soft, gliding hum of voices, the sizzling of the opium lamps, the sucking of boiling-hot tea drunk by compressed lips, the clicks of the copper and ivory counters—it was all tremendously peaceful and reassuring; and Ng Ch'u sighed contentedly as he dropped into a chair by the side of Ching Shan, his silent partner, and began talking to him in an undertone about a shipment of Sheba pottery which could be picked up at a bargain in San Francisco. ”
Source: Wikisource

Portrait of Achmed Abdullah Achmed Abdullah,  The Evening Rice (1921)

“ But on that day he, the despised Chinese coolie, had had the whip-hand.
"A Manchu you are!" he had said; and his eyes had glistened triumphantly through meager almond slits. "A Manchu indeed! A Pao-i bannerman, an aristocrat—sloughing your will and your passions as snakes cast their skin, brooking no master but yourself and the black desert thunder!
”
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature