Summary

Portrait of Achmed Abdullah Achmed Abdullah The Honourable Gentleman and Others… (1919)

The next moment, even as Yung Long jumped forward with a hoarse cry of rage, the point of the cripple’s knife gleamed again in the yellowish half-light like a crescent of evil passions.
“Love is a flower,” he said. “When it is withered it is hay, and the oxen eat it.” He struck his own heart with a straight, downward blow of the dagger.
He fell across Si-Si’s body.
Cobbler’s Wax lay there dead, with arms outstretched, as if to protect his dead love against Yung Long, against the reek and riot and cruelty of Pell Street.
Source: Wikisource

Portrait of Achmed Abdullah Achmed Abdullah The Honourable Gentleman and Others… (1919)

But Cobbler’s Wax preferred remaining a live cripple to a corpse buried in the state of a mandarin of the second class. He was not a Westerner, given to dissecting his soul and screwing his emotions into test-tubes. Had he been, he would have discovered that it was pride which kept him from joining the spirits of his sires by an act of his own hands—pride, though his body was shrunk and his soul growing wizen and mean as the days swooned into weeks and the weeks into the pitiless swing of years.
Source: Wikisource

Portrait of Achmed Abdullah Achmed Abdullah The Honourable Gentleman and Others… (1919)

Pride—the pride of the gray, brooding centuries, the pride of blood, the pride of name; for Cobbler’s Wax was only his nickname. His real name was Tong Fu-hsiang, a name by right of which he had the reddish, coppery glow beneath his skin; a Manchu name of the stony, contemptuous North, reminiscent of the days when the steel-clad men on horseback swept out of the Central Asian plains, conquered the Chinese, who outnumbered them a thousand to one, and imposed on them the tow-chang, the pig-tail, in sign of subjection and disgrace.
Source: Wikisource

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