Achmed Abdullah

Achmed Abdullah

Summary

Portrait of Achmed Abdullah Achmed Abdullah A Matter of Face (1922)

Even in death there was still in that bullet-shaped head the coiling brain which had ruled Chinatown, which had made of the other a failure and a mock and a stench in the nostrils of Pell Street, which had robbed him of the one dream that once, for a moment, had flashed in Mu Lan’s eyes, had flashed across the drab of his life with the pageantry and the brilliancy of far skies—never attained, never more to be attained.
He hated Ho Tin Yu. But most did he hate the dead man’s brain, mazed, powerful, pertinacious.
Source: Wikisource

Portrait of Achmed Abdullah Achmed Abdullah A Matter of Face (1922)

Ho Tin Yu was dead. How could he revenge himself on a dead man? Not only that! Even from beyond death Ho Tin Yu had struck him, wounded him, was forcing his old enemy to embalm his body, so that with the help of Shen Mok’s hands the spirit of Ho Tin Yu might wing back to his ancestors in proper rite and pomp!
And Mu Lan—she was still beautiful, with the promise in her eyes of untold passion, untold hopes and sweetness; he still loved her—and she was lost to him forever through the oath which her dying husband had forced from her.
Source: Wikisource

Portrait of Achmed Abdullah Achmed Abdullah A Matter of Face (1922)

There Shen Mok was still the embalmer, a delicate craftsman, respected and honored by his countrymen and his Tong, while Ho Tin Yu did not long remain the coolie. Laundry-worker at first, owner of a laundry, of two, three, four, a whole string of them, blossoming forth into a merchant, first retail, then wholesale, a contractor, a politician of local renown and influence; working only for one end, his own enrichment; never touching any question without a whole-hearted and sweeping reference to the particular benefit he himself would derive from it
Source: Wikisource

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