Summary

Portrait of Achmed Abdullah Achmed Abdullah The Honourable Gentleman and Others… (1919)

And when the soothsayer, his mean soul rising and bristling with fury, burst into frothy, mazed, incoherent speech, accusing the other of having turned his feet from the old way, the true way, the decent way, the way of his fathers; of having kowtowed in the house of the foreigners; of having brought stinking disgrace not only upon himself and his ancestors, but upon all Pell Street, all the black-haired race; of having become almost like a Christian in weak, cowardly spineless forgiveness—the priest inclined his head and said that there was nothing impossible in the world.
Source: Wikisource

Portrait of Achmed Abdullah Achmed Abdullah The Honourable Gentleman and Others… (1919)

Walking through the maze of Chinatown, with a night of glowing violet vaulting above the sad drab of roof top and the crude palette of impromptu, bird's-nest balcony and a nostalgic, Western moon growing fainter and fainter and slowly fading into the vast cosmos of dawn as if trying to escape the reek of sewer and opium and sweat that rose from the packed, greasy wilderness of Pell Street, with Miss Rutter's hectic, guileless, silk-gloved hand pointing out the sluttish sights, he felt his heart muscles contract with a certain nameless dread.
Source: Wikisource

Portrait of Achmed Abdullah Achmed Abdullah The Honourable Gentleman and Others… (1919)

She was leaning over the balcony railing of her father's house, holding her heaving, round breasts with fluttering hands. Deep sobs racked her frame. Her great, black, slightly slanting eyes were filled with tears. Her red lips quivered.
To look at her, as Trask did, passing on the street below, was to feel sorry; was, for a poet, to reconstruct a pathetic tale with her as heroine and persecuted victim.
Source: Wikisource

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