Achmed Abdullah,
The Dance on the Hill
(1918)
“ She could charge—with a thousand pounds of bunched muscle and brutal meat—but when she missed, the best she could do was to use her nose and forepaws as brakes, bump back, twist in a sharp angle right or left, according to what side of the tree Mortazu Khan had slid—and return to the charge. And always the man, keeping tight to the fir, got ahead of her, while the bear, squealing like an angry boar, landed on the ground, hurting her delicate nose and clawing with her paws till the moss was shredded to rags and the sand beneath seemed to look up with scared, yellow eyes. ”
