Achmed Abdullah

Achmed Abdullah

Summary

Portrait of Achmed Abdullah Achmed Abdullah The Man on Horseback (1919)

THE YANKEE DOODLE GLORY
Like a great, shimmering silver horn the morning mist swung out of the valley and Tom Graves swung along with it, sitting his tough, sinewy, thirteen-hand pony as easily as a lifetime of it can teach a man, and lifting the mare gently with knee and soft word and knowing hand when ruts or slippery timber falls clef the road or when it dipped too suddenly into rock-strewn levels.
Source: Wikisource

Portrait of Achmed Abdullah Achmed Abdullah The Man on Horseback (1919)

The evil, lumpish spirit of man's aspirations, man's hopes and faith!
Once that part of Idaho had been famed for its rich placer claims that had washed every day into the thousands; then a misleading and glittering outcropping of gold-studded quartz, and a mad wave of adventurers, Americans, Canadians, Englishmen, Scots, and Scandinavians, surging in and making the gaunt hillsides ring with the staccato thud of pickaxe and the dull, minatory rumble of powder and dynamite.
Source: Wikisource

Portrait of Achmed Abdullah Achmed Abdullah The Man on Horseback (1919)

Tom laughed. "'What's the matter with you, old-timer? Afraid of gold?"
"I ain't afraid of the gold. Gold is all right." Truex shook his head. "But, Tom. . ." he crossed the room and put his hand on the younger man's shoulder, "when you were down there, in that tunnel of the Yankee Doodle Glory, didn't you—oh—hear something?"
Tom looked up sharply.
Source: Wikisource

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