Summary

Portrait of Achmed Abdullah Achmed Abdullah The Mating of the Blades — Chapter 7 (1920)

And he rose, crossed the shop, drew up the window blind with an impatient gesture, and pointed to where already the moon was growing fainter and fainter and paling into the drab cosmos of the London morning and where, low in the eastern heaven, between the ragged cleft of Drury Lane, the sun was rising like a ball of somber, crumpled rose-pink.
Then, as if the sordid glimpse of London had broken the spell, he added:
“I am not altogether unselfish. You see, saheb, I am an Asian, and Asia is old and worn and tired. It needs fresh, strong blood. It needs men like yourself.
Source: Wikisource

Portrait of Achmed Abdullah Achmed Abdullah The Mating of the Blades — Chapter 7 (1920)

The other, too, smiled.
“Not the blade, saheb, but the sheath. The sheath is old and tired, like Asia, like my own country. And so we will give the sword a new house in which to throb and pulse and weave mighty spells.”
For several minutes he rummaged in a carved sandalwood box, finally drawing out a jewel-studded shagreen scabbard into which, slowly, carefully, with his back to his visitor, he fitted the weapon.
“Here, saheb. Never draw the blade in sport, nor in a wrong cause. But trust it. It will speak to you when man fails you—or Fate!”
Source: Wikisource

Portrait of Achmed Abdullah Achmed Abdullah The Mating of the Blades — Chapter 7 (1920)

Either Babu will well grease thy thieving hand.”
“Peace, O noseless one!” from Koom Khan; then, to the princess: “It seems that thy path is clear. For we have decided.”
“We?” echoed Aziza Nurmahal.
She flared up. Her nostrils quivered. A light like a slow-eddying flame came into her black eyes.
A woman she was, young, tender, unable to cope with the tortuous, shifting undercurrents of palace and bazaar and mosque; not yet weaned from the silken, scented harem peace; alone.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature