Summary

Portrait of Achmed Abdullah Achmed Abdullah The Mating of the Blades — Chapter 15 (1920)

The ironic thought flashed through Hector's mind even as, from an inner chamber, came an answering call:
“Thank Allah!”
Then hysterical laughter; a man's acrid curse; a clanking of steel against steel—and Hector reached the chamber whence the cry had come, took in the scene at a glance—the girl, weakened, out of breath, but still pluckily defending herself against Abderrahman Yahiah Khan—and he was at him, the point of his weapon dancing before him like a lambent flame.
Up till this moment Abderrahman Yahiah Khan had been merely playing with the princess
Source: Wikisource

Portrait of Achmed Abdullah Achmed Abdullah The Mating of the Blades — Chapter 15 (1920)

The sword with which even at that moment Aziza Nurmahal was defending herself, stabbing and cutting until her slim arms ached and her breath came in short, staccato bursts, while the Afghan charpadar, who, with a great, bellowing laugh, had declared himself to be Abderrahman Yahiah Khan, governor of the western marches—“and soon thy husband, little princess, soon the father of thy sons, soon Ameer of Tamerlanistan!”—kept dancing away from her, catching blows and thrusts on his metal-bossed arm shield, without using his own weapon.
Source: Wikisource

Portrait of Achmed Abdullah Achmed Abdullah The Mating of the Blades — Chapter 15 (1920)

Thus Afghan, eunuch, and princess had left the sheltered security of the palace, the latter's heart beating like the heart of a girl in finishing school who, for the first time in her life, unchaperoned, unbeknown to parents and teachers, goes to a matinée with a member of the male sex; while the little slave girl had looked after them in a mixture of curiosity and trepidation, but obeying the injunction of silence and secrecy which Aziza Nurmahal had put upon her.
Source: Wikisource

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