Summary

Portrait of Achmed Abdullah Achmed Abdullah The Mating of the Blades — Chapter 1 (1920)

Out of the palace, that crowned the basalt hillside with turrets and bartizans and bell-shaped domes and swung down into the dip of the valley with an avalanche of bold masonry, they carried the dead Ameer; through the western gate, a crumbling marble structure, incrusted with symbolistic figures and archaic terra-cotta medallions, and topped by a lacy, fretted lotus-bud molding; through the maze of the town, with its crooked streets, its low, white houses, its cool gardens ablaze with peach and almond and scarlet flowering peepul trees
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Portrait of Achmed Abdullah Achmed Abdullah The Mating of the Blades — Chapter 1 (1920)

He made sure that the latter had succumbed completely to the bland, philosophic poppy drug, pressed half a golden toman into the grimy, much beringed fingers of the dancing girl who had filled and refilled the other's opium pipe and, if the truth be told, had made assurance doubly sure by doctoring the sizzling, acrid cubes with asclepias juice and dawamesk-hashish, slipped his hand into the unconscious man's waist shawl, brought out a key, and flitted into the street like an obese and nervous shadow.
Source: Wikisource

Portrait of Achmed Abdullah Achmed Abdullah The Mating of the Blades — Chapter 1 (1920)

Have discovered bloody cinch of pinching whole bally swag if Gloops uses gray matter. Do not cable here as have smashed expensive instruments into smithereens and cocked hat to annoy and harass the competition. Cable instead to Teheran using code. Am hot-legging it there like a sizzling whirlwind. Beg to repeat that collaring of swag is no end of ripping old cinch. Am writing particulars. Tell Gloops meanwhile should look up Burke's Peerage find bally old nobility family whose escutcheon is double headed lion and establish with them jolly old social relations.
Source: Wikisource

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