Max Pemberton

Max Pemberton

Summary

Portrait of Max Pemberton Max Pemberton,  The Sword and Three (1896)

“ Oh, dear Nicolo, thou knowest what he is; thou hast crossed swords with him. Paolo will surely die.’
“‘Little Christine,’ said I, ‘dost thou then forget that thy lover has stood before me, a son of Andrea? Dost thou forget that I shaped the blade he wears? There is no finer in Venice; no quicker eye than Paolo’s, no truer hand. Who shall kill him, then? Not Girolamo, the lumberer; Girolamo, the horse; Girolamo, the buffoon.
”
Source: Wikisource

Portrait of Max Pemberton Max Pemberton,  The Sword and Three (1896)

“ I was then growing a bent old man; I could have no part or lot in any lover’s quarrel; there would be an outcry through the whole city if I, who set up as a master, should fall upon the pupil and kill him in combat. He had committed no offence known to the social or the moral law; the greater number of people would applaud him because he had struck his rival down in fair fight. They would admit no right of mine to take the quarrel upon my shoulders: for all that I could do, Paolo must die with no blow struck for him, and little Christine must marry Girolamo. ”
Source: Wikisource

Portrait of Max Pemberton Max Pemberton,  The Sword and Three (1896)

“ I had been in the city five years, as I write, when Girolamo came like an evil thing across my path. He was a Capello: a man of great race and pleasant tongue, well schooled in all those arts which women favour, ready with his sword when the occasion was, not wanting a fine face or a fine word—a man that may leave desolation in his path or blessing; a friend to be kept or an enemy to be feared. ”
Source: Wikisource

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