“ The gondola stirred gently, as with a long, quiet breath, and a moment later it had pushed its way out from among the thronging craft at the steps of the railway quay, and was gliding with its own leisurely motion across the sunlit expanse of the broad Canal. ”
Gondola
Definition and stakes
The gondola, a narrow boat closely associated with Venice, has long been a symbol of the city’s intricate waterways and enduring charm. In literature, it appears not only as a vessel but also as a recurring theme, evoking calm, enigma, and cultural distinctiveness. Anna Fuller portrays its graceful glide along sunlit canals, while Dorothy Menpes highlights its harmonious connection with Venice’s lagoon, presenting it as integral to the city’s character.
Henry James, in Italian Hours, observes the uniformity of gondolas as they “multiply and spot” the lagoon, emphasizing their influence on Venetian atmosphere. These diverse portrayals underscore the gondola’s dual role: as a functional means of transport and as a medium for poetic contemplation of place and motion. The literary gondola, therefore, serves as a window through which Venice’s spirit is both explored and preserved.
Quotes about “gondola”
Ralph Henry Barbour,
The Happy Man — Chapter 8
(1915)
“ The darkness is flecked here and there with the red gleam from a gondola, and in the darker shadows of the shuttered house-walls stars are twinkling far down in the green water. Sometimes an open doorway sends a path of yellow light across the darkness. Faintly sounds the tinkle of distant music, and the lisping splash of the dipping oar keeps time to it. In a gondola are three persons, a man, a woman, and a girl. Ahead of them the red light of their lantern swims along the water-road. ”
by Henry James, Italian Hours (1909)
“ Every patch of colour, every yard of weather- stained stucco, every glimpse of nestling garden or daub of sky above a calle, began to shine and sparkle--began, as the painters say, to "compose." The lagoon was streaked with odd currents, which played across it like huge smooth finger-marks. The gondolas multiplied and spotted it allover; every gondola and gondolier looking, at a distance, precisely like every other. ”
