Francis Hopkinson Smith

Francis Hopkinson Smith

Summary

Portrait of Francis Hopkinson Smith Francis Hopkinson Smith,  At Close Range

“ Luigi half a length behind, Francesco straining every nerve. Waves of red and of gold—the colors of the two guilds—surged and flashed from out the mass of spectators as each oarsman would gain or lose an inch.
Behind the lover and the girl stood the girl's mother, her black shawl twisted into a scarf. This she waved as heartily as the youngest about her.
"Don't cry, you fools!" she stopped long enough to shout in Amalia's ear. "It is his old way. Wait till he reaches the red buoy. Ah! what did I tell you! Luigi! Luigi! Bravo Castellani! See, Marco—see!
”
Source: Gutenberg

Portrait of Francis Hopkinson Smith Francis Hopkinson Smith,  At Close Range

“ As he made his way slowly through the crowd toward the caffè, an old woman who had been waiting for him—wrinkled, gray-haired, a black shawl about her head held tight to the chin by her skinny fingers, her eyes peering from its folds—stepped in front of him. She lived near his home and was godmother to one of his children.
"Luigi Zanaletto!" she cried, catching him by the wrist.
"Yes, good mother."
"That idiot Marco told my Amalia last night that you will lose the race. He has been to the Pietà and will bet all his money on Francesco."
"And why not, good mother? Why do you worry?"
”
Source: Gutenberg

Portrait of Francis Hopkinson Smith Francis Hopkinson Smith,  At Close Range

“ Steve stood, the engine looked like a snow-plough that had burrowed through a drift.
Steve moved down to the step of the first Pullman, his absorbing eye taking in the train, the fragments of the drift, and the noses of the chorus girls pressed flat against the frosted panes. The conductor was now on the platform, crunching a tissue telegram which the station-master had just handed him. He had stopped for orders and for a wider breathing space, where he could get out into the open and stretch his arms, and become personal and perhaps profane without wounding the feelings of his passengers.
”
Source: Gutenberg

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