Pietà

Definition and stakes

Portrait of Mrs. Jameson Mrs. Jameson,  Legends of the Madonna as Represented in the Fine Arts

“ John the Evangelist, in attitudes of profound grief and commiseration. 2. The dead form, half emerging from the tomb, is sustained in the arms of the Mater Dolorosa. St. John the Evangelist on the other side. There are sometimes angels.
The Pietà thus conceived as a purely religious and ideal impersonation of the atoning Sacrifice, is commonly placed over the altar of the sacrament, and in many altar-pieces it forms the centre of the predella, just in front where the mass is celebrated, or on the door of the tabernacle, where the Host is deposited.
”
Source: Gutenberg

Portrait of E. Nesbit E. Nesbit,  Lays and Legends (Second Series…

“ The incense of my soul was burned for you.
For you, for you were all the tapers lighted,
For you the flowers were on the altar laid,
For you the hymn rose thrilling through the chancel
To the clerestory's mysteries of shade.
To you the anthems of a thousand churches
Rose where the taper-pointed flames burned clear;
To you—through all these leagues of deathly distance,
To you—as unattainable as dear.
Dear as the dreams life never brings to blossom,
Lost as the seeds hope sowed, which never grew,
Pure as the love which only you could waken,
Prayer, incense, tears, and love were all for you!
”
Source: Gutenberg

Portrait of Thomas Moore Thomas Moore,  The Complete Poems of Sir Thomas Moore

“ To earthly joy when seasoned well with heaven;
How Piety's grave mask improves the hue
Of Pleasure's laughing features, half seen thro',
And how the Priest set aptly within reach
Of two rich worlds, traffics for bliss with each,
Would they not, Decius—thou, whom the ancient tie
'Twixt Sword and Altar makes our best ally—
Would they not change their creed, their craft, for ours?
Leave the gross daylight joys that in their bowers
Languish with too much sun, like o'er-blown flowers,
For the veiled loves, the blisses undisplayed
That slyly lurk within the Temple's shade?
”
Source: Gutenberg

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