Mary Roberts Rinehart

Mary Roberts Rinehart

Summary

Portrait of Mary Roberts Rinehart Mary Roberts Rinehart The Man in Lower Ten (1909)

Before long my loyalty to McKnight would step between me and the girl he loved: life would develop new complexities. In those early hours after the wreck, full of pain as they were, there was nothing of the suspicion and distrust that came later. Shorn of our gauds and baubles, we were primitive man and woman, together: our world for the hour was the deserted farm-house, the slope of wheat-field that led to the road, the woodland lot, the pasture.
Source: Wikisource

Portrait of Mary Roberts Rinehart Mary Roberts Rinehart The Man in Lower Ten (1909)

With the discovery of my empty gun, I felt like a man on the top of a volcano in lively eruption. Suddenly I found myself staring incredulously at the trap-door at my feet. I had examined it early in the evening and found it bolted. Did I imagine it, or had it raised about an inch? Wasn't it moving slowly as I looked? No, I am not a hero: I was startled almost into a panic. I had one arm, and whoever was raising that trap-door had two. My knees had a queer inclination to bend the wrong way.
Johnson's footsteps were distinct enough, but he was evidently far below.
Source: Wikisource

Portrait of Mary Roberts Rinehart Mary Roberts Rinehart The Man in Lower Ten

I was thoroughly tired, but I slept restlessly, dreaming of two detectives with Pittsburg warrants being held up by Hotchkiss at the point of a splint, while Alison fastened their hands with a chain that was broken and much too short. I was roused about dawn by a light rap at the door, and, opening it, I found Forbes, in a pair of trousers and a pajama coat. He was as pleasant as most fleshy people are when they have to get up at night, and he said the telephone had been ringing for an hour, and he didn’t know why somebody else in the blankety-blank house couldn’t have heard it.
Source: Gutenberg

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