Francis Hopkinson Smith

Francis Hopkinson Smith

Summary

Portrait of Francis Hopkinson Smith Francis Hopkinson Smith,  Felix O'Day

“ It was for Kitty that Felix had been on the lookout ever since the guests began to arrive, and no sooner did her rosy, beaming face appear behind that of her husband, than he pushed his way through the throng to reach her side. “No, not out here, Mistress Kitty,” he cried. Had she been of royal blood he could not have treated her with more distinction. “You are to stand alongside of Masie when she comes in; the child has no mother, and you must look after her.”
“No mother! Mr. O'Day! God rest your soul, she won't need to do without one long, she's that lovely.
”
Source: Gutenberg

Portrait of Francis Hopkinson Smith Francis Hopkinson Smith,  Felix O'Day

“ He had been too unmindful of them, getting back to his lodgings at any hour of the night, either to let himself in by his pass-key—all the lights out and everybody asleep—or to find only Kitty or John, or both, at work over their accounts or waiting up for Mike or Bobby or for one of their wagons detained on some dock. And since Kling had raised his salary, enabling him not only to recover his dressing-case, which then rested on his mantel, but to take his meals wherever he happened to be at the moment—he had seldom dined at home—a great relief in many ways to a man of his tastes. ”
Source: Gutenberg

Portrait of Francis Hopkinson Smith Francis Hopkinson Smith,  Felix O'Day

“ It is the same the world over, and New York is no better and, for that matter, no worse.
On one of these rain-drenched nights, some ten years or more ago, when the streets were flooded with jewels, and the sky-line aflame, a man in a slouch hat, a wet mackintosh clinging to his broad shoulders, stood close to the entrance of one of the principal playhouses along this Great White Way. He had kept his place since the doors were opened, his hat-brim, pulled over his brow, his keen eye searching every face that passed.
”
Source: Gutenberg

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