Hugh Walpole

Hugh Walpole

Summary

Portrait of Hugh Walpole Hugh Walpole Fortitude

He felt as a craftsman feels, when some new and wonderful tools have been given to him; as a woman feels the child in her womb, stirring mysteriously, moving her to deep and glad thankfulness, so now, with the night wind blowing about him, and all London lying, dark and motionless, below him, he felt the first stirring of his power. This was his to work with, this was his to praise and glorify and make beautiful—now crude and formless—a seed dark and without form or colour—one day to make one more flower in that garden that God has given his servants to work in.
Source: Gutenberg

Portrait of Hugh Walpole Hugh Walpole Fortitude

And from the induction of that first terrible evening Peter stepped into a blind terror that gave the promised deliverance of that approaching Easter Wednesday an air of blind necessity. Also about the house the dust and neglect crept and increased as though it had been, in its menace and evil omen, a veritable beast of prey. Doors were off their hinges, windows screamed to their clanging shutters, the grime lay, like sand, about the sills and corners of the rooms. At night the house was astir with sound but with no human voices.
Source: Gutenberg

Portrait of Hugh Walpole Hugh Walpole Fortitude

Guarded on one side by the sweeping murmur of the river, on the other by the loud grimaces of the King's Road Chelsea sinks, with a sound like a whisper of its own name, into evening....
As the last trailing fingers of the golden clouds die before the approaching army of the stars, as the yellow above the horizon gives way to a cold and iron blue, lights come out in that house with the green door and the white stone steps—No. 72, Cheyne Walk—that is now Peter Westcott's home.
Source: Gutenberg

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