Summary

Portrait of Hugh Walpole Hugh Walpole The Young Enchanted: A Romantic Story

His consciousness of her was at once so strong that he forgot himself and Peter. He had never seen any one in the least like her before: this was not Peter's wife come back to him, but some one who had peered up for a moment out of a world so black and tragic that Henry had never even guessed at its existence. Not his experiences in the War, not his mother's death, nor Duncombe's tragedy, nor Christina and her horrible parent were real to him as was suddenly this little woman with her strange yellow hair, her large angry eyes, her shabby black dress.
Source: Gutenberg

Portrait of Hugh Walpole Hugh Walpole The Young Enchanted: A Romantic Story

Yes, there were worse things than the War, worse things than assaults on the body, than maiming and sudden death. His young inexperience took a shoot into space at that instant when he first saw Clare Westcott.
She stared at him scornfully, then she suddenly put her hand to her throat and sat down on the sofa with pain in her eyes and a stare of rebellious anger as though she were saying:
"I'll escape you yet. . . . But you're damned persistent. . . . Leave me, can't you?"
Peter came to her. "Clare, this is Henry Trenchard—my best friend."
Source: Gutenberg

Portrait of Hugh Walpole Hugh Walpole The Young Enchanted: A Romantic Story

Henry knew then that Duncombe was sure he would not survive the operation. An aching longing to do something for him held him, but a power greater than either of them had caught him and he could only sit and stare at the colours as they came flocking into the garden with the evening sky, at the white line that was suddenly drawn above the garden wall, at two stars that were thrown like tossed diamonds into the branches of the mulberry.
"Yes—I know God exists," something that was not Henry's body whispered.
"God must exist to explain all the love that there is in the world," he said.
Source: Gutenberg

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