Achmed Abdullah

Achmed Abdullah

Summary

Portrait of Achmed Abdullah Achmed Abdullah The Broadway of It (1920)

Twenty years—and he fought on, though he knew that the ultimate end was an assured thing, though he felt it at the back of his soul, blowing in from the Broadway jungle like the seven black winds of destiny.
Thirty years—and the Hotel Marquis, once the last word in elegance and modernity, had become a third-rate stopping-place for transients. But still Jabez Massingham stayed on; watching Broadway like a bird fascinated by a snake; feeling it crawl and creep and breathe; feeling it move, as if a single desire, a single hateful purpose, actuated the entire mass of stone and steel.
Source: Wikisource

Portrait of Achmed Abdullah Achmed Abdullah The Broadway of It (1920)

The words came back to Jabez Massingham’s memory. A great sob rose in his throat and choked him.
Broadway! The jungle of Broadway—following the road of his feet!
He could feel it stretching, reaching, growing, bloating, breathing; steadily gathering strength and momentum; crawling on with a huge, brooding force; slow, irresistible, and, somehow, inhumanly precise; like a man, tremendously confident of himself, keeping a tryst with all eternity to wait in.
Source: Wikisource

Portrait of Achmed Abdullah Achmed Abdullah The Broadway of It (1920)

Jabez Massingham was not trying to forget. He could not afford to. He needed the memory of his loss as a counter-irritant against his fear.
He knew that to-day, by buying that house next to the corner of Broadway, he had scored a point—had temporarily barred the progress of the jungle. But what would the morrow bring? The jungle—he knew it of old—could always be stopped, for a time; then, suddenly, overnight, it would throw out its tentacles again—growing, crawling, creeping, sucking—contemptuously spanning the clearing that had been made with sweat and steel.
Source: Wikisource

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