Achmed Abdullah

Achmed Abdullah

Lucifer (1923)

Summary

Portrait of Achmed Abdullah Achmed Abdullah Lucifer (1923)

Ta Chen had turned to Yung Long. He was holding forth on the worth of old age, by the same token ridiculing the claims of youth.
“Age is a fig tree, strong and tall and straight, bearing sweet fruit,” he pronounced, “while youth”—with suave irony and a subtly derisive look at Nag Cha Lee—“the worth of youth in the reckoning of life is tinier than a rice-corn or a barleycorn or, a mustard-seed—or the pulp of a mustard-seed.”
Source: Wikisource

Portrait of Achmed Abdullah Achmed Abdullah Lucifer (1923)

Nag Cha Lee wound up, “out of this void rises the seed, out of the seed the fig, out of the fig the fig tree—the fig tree, belike, of old age, great age, wise age. Still—let us all have faith in the Buddha’s blessed miracles. Perhaps—ah—perhaps in this void of the broken seed the All of old age finds indeed its final, precious essence.”
Source: Wikisource

Portrait of Achmed Abdullah Achmed Abdullah Lucifer (1923)

Ling Yang had arranged a low tabouret with a jar of treacly first-chop opium, needles, horn and ivory boxes, lamps, pipes and all the other meticulous paraphernalia for the smoking of the kindly, philosophic drug; and Tsing Yu-ch’ing, the editor, had toasted Ta Chen in charming, flowery language, comparing him, after the Pekingese manner, to dawn reddening the black wake of night, to a river jeweled with summer hues, and to purple leaves carpeting the forest for autumn’s avatar.
Source: Wikisource

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