Achmed Abdullah

Achmed Abdullah

The Incubus (1920)

Summary

Portrait of Achmed Abdullah Achmed Abdullah The Incubus (1920)

THAT day I did get into a mangrove swamp; a thick and oozy one, too, with the spiky orchids coming down in a waxen, odorous avalanche, and all sorts of thorny plants reaching down and out as if trying to rip the heart out of my body, as if trying to impede my progress, to keep me there. My hands and face were lacerated, my clothes torn, but I didn’t care. By main force, I jerked the canoe free and was off again, whipping the water like a madman; and the fear, the horror, the vague presentiment always growing!
Source: Wikisource

Portrait of Achmed Abdullah Achmed Abdullah The Incubus (1920)

And my hatred of Africa, it nearly choked me! And the loneliness! The loneliness which lay across my heart, my soul, my body, like a sodden blanket, and the fear that I would never reach home.
I lost all track of time. A week to make the coast, I had figured; and here it was at the very least the tenth day, and still my paddle went, still the river slid before my eyes like a watered-silk ribbon, still Africa unrolled like an odorous, meaningless scroll, still at my back rode horror and fear.
Source: Wikisource

Portrait of Achmed Abdullah Achmed Abdullah The Incubus (1920)

Of course, being a sensible fellow, and not imaginative, I tried to crystallize my nervous presentiment. Couldn’t, though. It was too subtle, too elusive—too damned African, to put it in the proverbial nutshell. All I was sure of was a sort of half-feeling—and I’ve had it before and since—that Africa was not a continent, but—oh, a being, a sinister, hateful, cruel, brooding monster, with a heart and soul and desires—rotten desires, mostly—and that this Africa hated me, because I was white, because I was an interloper, because I had no business there except—well, dollars and cents.
Source: Wikisource

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