Achmed Abdullah

Achmed Abdullah

Summary

Portrait of Achmed Abdullah Achmed Abdullah The Thief of Bagdad — Chapter II (1924)

The sounds died away. Came other sounds—the voices of the savage beasts that guarded the palace, prowling and slinking about the garden: the vibrant growl of the lions beginning in a deep basso and ending in a shrill, stabbing treble; the angry hissing and spitting, as of enormous cats, of the great, ruddy Bengal tigers; the chirp and whistle—ludicrously in contrast to their size—of the long-armed gorillas.
Ahmed uncoiled his rope.
Source: Wikisource

Portrait of Achmed Abdullah Achmed Abdullah The Thief of Bagdad — Chapter II (1924)

Never in all the seven worlds of Allah’s creation lived there a woman to touch the shadow of Zobeid’s feet. Brother mine!—as a garment she is white and gold; as a season, the spring; as a flower, the Persian jasmine; as a speaker, the nightingale, as a perfume, musk blended with amber and sandalwood; as a being, love incarnate.
Source: Wikisource

Portrait of Achmed Abdullah Achmed Abdullah The Thief of Bagdad — Chapter II (1924)

Hie ye to salvation! Prayer is better than sleep! Prayer is better than food! Bless ye God and the Prophet! Come, all ye faithful!”
“Wah khatimat russul Illah——” mumbled the crowd, turning in the direction of Mecca.
They prostrated themselves, touching the ground with palms and foreheads. The Hindu joined them, chanting fervently. So did Ahmed, though not so fervently. Indeed while, mechanically, automatically, he bowed toward the East and while his lips formed the words of the prayer, his roaming, lawless eyes noticed the magic rope, between him and the Hindu.
Source: Wikisource

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