Achmed Abdullah

Achmed Abdullah

Black Lily (1915)

Summary

Portrait of Achmed Abdullah Achmed Abdullah Black Lily (1915)

I had reminded him of the threats of the Galla medicine men. I had tried to persuade him that the safest place for him would be a small pension in the West End, one of those select affairs kept by a major’s widow, which does not flare the names and pedigrees of its distinguished visitors as advertising matter in the dailies.
But Durand had only laughed.
“My dear Johnny, you don’t know the West Coast as I know it. Nor do you know the Gallas as I know them. A Galla, for sake of revenge, will climb a minaret with his bare feet, and track the mists of dawn to their home.
Source: Wikisource

Portrait of Achmed Abdullah Achmed Abdullah Black Lily (1915)

Yet, when I looked at the Galla, I felt myself and all the others, the foreigners, massed into a certain sharp, comprehensive unity. It was not because he was a negro. I am used to them. I have lived in Africa, in the Southern States, in Jamaica.
The men and women, even the little children, tolerant because of their tender, unthinking years, looked at the black and stared. Not with curiosity—a negro is no longer that in Europe—but with subconscious terror and loathing.
Source: Wikisource

Portrait of Achmed Abdullah Achmed Abdullah Black Lily (1915)

The handkerchief was saturated with Black Lily perfume. It came from Durand. It was a sign of life. He had not left me for good.
I remembered then the rest of his cryptic saying:
“If ever you miss me, follow the trail of my perfume.”
The message was clear, sharp. I felt elated. I apologized in the silence of my heart for all my black suspicions against the man.
Then a sobering thought came to me. How could I go all over Berlin, trailing him by the smell of his perfume? Preposterous, ridiculous. Berlin is rather a fair-sized block of real estate. A labor of Sisyphus. Quite impossible.
Source: Wikisource

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