A. E. W. Mason

A. E. W. Mason

Summary

Portrait of A. E. W. Mason A. E. W. Mason The Summons — XXII: Jenny Prask (1920)

The blood mounted into Stella Croyle's face. Since that was true—and she did not doubt Jenny Prask for a moment—Jenny would have given anything she had to save her mistress trouble, and Stella knew it. Since it was true, then, that Mario Escobar was staying hidden away in a country hotel five miles off, and that Joan was writing to him, why, after all, she had no rival.
Her spirits rose with a bound. She had a week, a whole week, in the company of Harry Luttrell; and what might she not do in a week if she used her wits and used her beauty! Stella Croyle ran down the stairs like a girl.
Source: Wikisource

Portrait of A. E. W. Mason A. E. W. Mason The Summons — XXII: Jenny Prask (1920)

It was when you saw her across a room that you recognised that girlhood had gone, and that there was a woman in the full ripeness of her beauty.
"Yes," she said, and her listlessness began to disappear. She turned away from the mirror. "Come, Jenny!" she cried, with a hopeful smile. She was saying to herself, "I have still a chance."
Source: Wikisource

Portrait of A. E. W. Mason A. E. W. Mason The Summons — XXII: Jenny Prask (1920)

As for Joan and Harry Luttrell, it mattered little where they were, so that they were together. They walked in their own magical garden.
It fell to Martin Hillyard to look after Stella Croyle, and the task was not difficult. She kept her eyes blindfold to what she did not wish to see. She had a chance, she said to herself, recollecting her talk with Harry last night, and the news of Joan which Jenny Prask had given to her. She had a chance, if she walked delicately.
"Old associations—give them opportunity, and they renew their strength," she thought. "Harry is afraid of them—that's all."
Source: Wikisource

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