Summary

Portrait of A. E. W. Mason A. E. W. Mason The Summons — IV: The Secret of Harry Luttrell (1920)

Stella Croyle turned again to the fire.
"Yes," she said rather listlessly.
Yet Hillyard might almost have become a consumer of drugs, such queer and wayward fancies took him in charge. It became a fine thing to him to stay up all night just for the sake of staying up, and many a night he passed at his open window, even in winter time, doing nothing, not even dreaming, simply waiting for the day to break. It seemed to him soft and wrong that a man should take his clothes off and lie comfortably between sheets.
Source: Wikisource

Portrait of A. E. W. Mason A. E. W. Mason The Summons — IV: The Secret of Harry Luttrell (1920)

Then her manner changed. "Oh, I do want to know," she cried, and Hillyard's obstinacy broke down.
Men have the strangest fancies which compel them to do out of all reason, even the things which they hate to do, and to put aside what they hold most dear. Fancies unintelligible to practical people like women—thus Stella Croyle's thoughts ran—but to be taken note of very carefully. High-flown motives from a world of white angels, where no doubt they are very suitable.
Source: Wikisource

Portrait of A. E. W. Mason A. E. W. Mason The Summons — IV: The Secret of Harry Luttrell (1920)

When all the house was quiet, he would slip out of a ground-floor window and roam for hours about the lonely roads, a solitary boy revelling even then in the extraordinary conduct of his life. There was in the neighbourhood a footpath through a thick grove of trees which ran up a long, high hill, and, midway in the ascent, crossed a railway cutting by a rustic bridge.
Source: Wikisource

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