Summary

Portrait of A. E. W. Mason A. E. W. Mason The Summons — XIX: Under Grey Skies Again (1920)

They are saved from rape by the fighting man, and they know it. Consequently all men benefit and not least," Sir Charles lit his cigarette, "that beast of abomination, the professional manipulator of women, the man who lives by them and on them, who cajoles them first and blackmails them afterwards, who has the little attentions, the appealing voice, in fact all the tricks of his trade ready at his fingers' ends. However, Millie Splay's awake to the danger now."
"Danger!" Hillyard sharply exclaimed.
"Quite right. It's too strong a word. I take it back," Hardiman agreed at once.
Source: Wikisource

Portrait of A. E. W. Mason A. E. W. Mason The Summons — XIX: Under Grey Skies Again (1920)

He paused whilst he drew out his cigarette-case and selected a cigarette from it. "And I agree," he added. "Mario Escobar is too picturesque a person for these primitive days."
Hillyard was not sure what Sir Charles Hardiman precisely meant. But on the other hand he was anxious to ask no direct questions concerning Escobar. He sought to enter in by another gate.
"Primitive?" he said.
"Yes. We have become rather primitive, especially the women. They have lost a deal of self-consciousness. They exact less. They give more—oh, superbly more! It's the effect of war, of course.
Source: Wikisource

Portrait of A. E. W. Mason A. E. W. Mason The Summons — XIX: Under Grey Skies Again (1920)

Much the same account of Escobar, with this instance of Rackham Park omitted, was given to Hillyard by Commodore Graham on the Friday morning.
"He is the kind of man whom men loathe and women like. He runs about London, gets a foot in here and there. You know what London is, even now in the midst of this war, with its inability to be surprised, and its indifference to strange things.
Source: Wikisource

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