Summary

Portrait of A. E. W. Mason A. E. W. Mason The Summons — III: Mario Escobar (1920)

Hillyard looked down at Sir Chichester Splay and smiled at his companion's description.
"You will meet him to-night at supper, and if your play is a success—not otherwise—you will stay with him in Sussex."
"No!" cried Hillyard; but Sir Charles was relentless in his insistence.
"You will. His wife will see to that. Who the pretty girl beside him is I do not know. But the more or less young man on the other side of her, talking to her with an air of intimacy a little excessive in a public place, is Mario Escobar. He is a Spaniard, and has the skin-deep politeness of his race.
Source: Wikisource

Portrait of A. E. W. Mason A. E. W. Mason The Summons — III: Mario Escobar (1920)

Few beliefs had survived in Hardiman after forty years of wandering up and down the flowery places of the earth; but one—he had lectured Harry Luttrell upon it on a night at Stockholm—continually gained strength in him. Youth must beget visions and man must preserve them if great work were to be done; and so easily the visions lost their splendour and their inspiration. Of all the ways of tarnishing the vision, perhaps talk was the most murderous. Hillyard possessed them. Hillyard was ashamed that he had spoken of them.
Source: Wikisource

Portrait of A. E. W. Mason A. E. W. Mason The Summons — III: Mario Escobar (1920)

He is engaged in some sort of business, frequents some sort of society into which he is invited by the women, and he is not very popular amongst men. He belongs, however, to some sort of club. That is all I know about him. One would think he had guessed we were speaking of him," Hardiman added.
For at that moment Mario Escobar raised his dark, sleek head, and his big, soft eyes—the eyes of a beautiful woman—looked upwards to the box. It seemed to Hillyard for a moment that they actually exchanged a glance, though he himself was out of sight behind the curtain, so direct was Escobar's gaze.
Source: Wikisource

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