Summary

Portrait of Nellie Bly Nellie Bly Six Months In Mexico — Chapter XIII. (1889)

At 8.30 the orchestra strikes up, people come in and find their places, and about 9 o'clock the curtain goes up and silence reigns; the enthusiasm which is manifested at bull-fights is absent here. Everything is accepted and witnessed with an air of boredom and martyrdom that is quite pathetic. More time is spent gazing around at the audience than at the players. Everybody carries opera-glasses, and makes good use of them.
Source: Wikisource

Portrait of Nellie Bly Nellie Bly Six Months In Mexico — Chapter XIII. (1889)

If a few feel like applauding other fine points, they are quickly silenced by the thousands of hisses which issue from all quarters of the house, and a Mexican hiss has no equal in the world. Ladies do not applaud, never look pleased or interested, but sit like so many statues, calmly and stupidly indifferent. After the play every one who can afford it goes to some restaurant for refreshments. Mexicans are not easily pleased with plays; and the only time they enjoy themselves is when they have a "Zarzuela"—a cross between a comic opera and a drama.
Source: Wikisource

Portrait of Nellie Bly Nellie Bly Six Months In Mexico — Chapter XIII. (1889)

The men and women cried continuously all the evening, and Americans dubbed the play "The Pocket-Handkerchief." Once, when the lover told his sweetheart he was going out to fight a duel with a dude with a big eyeglass, who had loved the dead girl, she fainted on his breast and he held her there, staggering beneath her weight, while he delivered a fifteen-minute eulogy.
Source: Wikisource

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